In making stuff, we seem to increasingly be looking backwards as we move forward. Culture is less about making new things than how exactly to bring old things back in just the right balance. Stealing from the past can be dismissed as lazy, but it’s an extremely nuanced process with infinite variations – figuring out the compelling essence and which parts are just obsolete or incidental. The real work of the future may well be that of curator/creators sifting through all the junk (both material and conceptual) to retain and combine things of value that resonate with the present.

I’ve always been obsessed with new-old things. Add other obsessions like LA and spending too much time on a video game and you got LA Noire, the new release by Rockstar Games. It blends storytelling, new acting technology, painstaking production, geographic history, new music, old music, and political commentary to create a pop multi-media extravaganza that reconnects us to a time and place sorta similar and sorta different from the now.

You’ll have to play the game to experience a reality in which LA had light rail, local stores, no freeways, vacant land, Victorian suburbs, people wearing hats unironically and no mini-malls. But if you want to really be inside architecture showcasing craft and symbolism, see Spanish history, watch old movies and vaudeville, lament developer/transportation corruption, and hang out with junkie musicians, you can still find it in this handy chart of real sites seen in the game…
:::LA NOIRE: IRL:::

Though it has been over 10 years since its opening, Encounter restaurant at the LAX theme building remains a fascinating example of total experience design. It’s nice when an architectural landmark can be re-contextualized to fit it’s own crazy space age reality thanks to interior design, sound design (is that Lalo Schifrin in the elevator?), and sophisticated-ly kitsch identity design (by Adams-Morioka). Eddie Sotto talks about the project here as head of Walt Disney Imagineering team that worked on it.

Though the building is enduring some exterior work, the food is less inspiring and upkeep is not always keeping up, it is still an inspiring piece of LA. These kind of multi-sensory projects with such a strong look and feel are rare outside of family entertainment and make art of everyday life.

You could get to the 5 north from the far left lane of the 110 north in downtown LA, but this wasn’t reflected in signage so artist Richard Ankrom added it in 2001. CalTrans just made it official last month.

photo by Gary Leonard

A recent LA Times article featured Village Green, a hidden gem of local architecture and urban planning south of the 10 between Culver City, La Brea, and the Baldwin Hills oil fields. Having lived here over a year myself I can attest to the quality of life. There’s so much nature that we even get seasons. I like good design for the people.

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Village Green in the ’50s, photo by Julius Shulman.

For a complete pictorial history, see our ambassador Steven Keylon’s flickr sets. There’s also video of the construction and early years of the complex…